Television Made Me What I Am

BH-CH-BCL-HoM-CSvfapwmammTsoaSmi1979awtTtpTBoWS.jpg

(Baskerville House - Copthorne Hotel - Birmingham Central Library - Hall of Memory - Centenary Square viewed from approximate position where me and my mate Timbo stood one Saturday morning in 1979 and watched the Tiswas team perform The Bucket of Water Song.)

Digital Photograph
Simon Hope Dec 2008

Armed Bears (Anne & Bridget)

Armed Bears (cmyk)

The Ties that Bind

For M

Teddy with a machine gun.

See? (01)

PAIN

See?

TING

B&B Colourbars.jpg

Painting in progress!!!

bentstudio

shifting my stuff around in m135 to accomodate open day visitors and make bcu look good!

hexbots 01

inwhichwealllive

m135 studio 13 10 08

Blue Peter Xmas Chandelier, 3 Photos 01,

Aurora Surrounded, EMI 2001 tv camera,

Bleep & Booster, Premiere Colour Bars, Support Structure 01 v2, When I Grow up I want to be a Cube, sundry tools, notebooks etc.

Support Structure 01 v2

1/6 scale Blue Peter display unit - Empty.

Balsa wood, Tissue paper, inkjet paper, 20 mic card, Foambord.

12 10 08

Support Structure 01 v1

1/6 scale Blue Peter display unit c/w "Childrens Toys"

Balsa wood, Tissue Paper, 20 mic card, Action Man weapons.

10 10 08

Hand of Dorothy or: How We Used to Live

HOIPE/hoipl Oct 08 m135

3 Photographs June - July - August 2008 m135

Bleep & Booster

I have fond memories of Bleep & Booster's little adventures as featured on Blue Peter from the late 60's to the early 70's. They were instrumental in my growing fascination with science fiction (along with Fireball XL5) and appeared at about the time BBC 2 arrived, which was soon bringing some much needed colour into our monochrome '60s lives.

The characters where drawn by William Timym (known as Tim), stories were written by Dorothy Smith and when shown on BP they were augmented with sound effects by Brian Hodgson and narrated by Peter Hawkins (of Captain Pugwash fame) These innocent cartoons about a boy and his alien friend captured my young imagination as the stories developed across the weeks and the simple panning and zooming rostrum techniques used to animate the tales served to bring the adventures to life.

I can only recall seeing them in black and white but there must have been a changeover to colour at about this time.

I'm interested in these historical crossover points between black and white and colour media and how they have affected our visual perceptions of the world. Recently, with the rediscovery of early colour work by the likes of Albert Khan and colour documentary film of the Second World War, I feel that our nostalgic evocations of our past have shifted, from grainy monochrome to full-on colour saturation. Perhaps we have lost a certain innocence through being presented with these more "natural" representations of our histories. How were the film going public affected when the miracle of Technicolour started appearing on our cinema screens?

Seeing in black and white, through film, television and photography gives the opportunity to engage with images in a way that is different from our normal vision and expectations. Tone, shape, form and content are highlighted by the abscence of colour and our subjective reactions are challenged. Does work presented in B&W have a more forceful impact in regard to percieved "importance"? In consideration of documentary media such as newspapers, where colour photography and advertising are taking prescedence over "traditional" B&W photojournalism are we taking the news less seriously or is the opposite true ?

I intend to explore some of the issues raised by these questions using my memory of Bleep & Booster as a starting point and considering how developments in broadcast and other media technologies have affected our visions of the past.

smndrkhp
23 06 08

(For more info on B&B see link)

H Inverted

Fe Inverted

St B's wrapped

Night Jn 10 08

Mo' + Bro' - Spring 65

Summer 62